Next Shinsengumi Book (16)—Kondo Isami Biography

Today I finally completed the long and complex chapter about the Shinsengumi’s attack on the Ikedaya inn in Kyoto on Genji 1/6/5 (July 8, 1864). It was a turning point in the revolution. Over a year before that, on the 10thday of the Third Month of Bunkyu (April 27, 1863), sixteen men, nine of whom studied the Tennen Rishin style of kenjutsu, “art of the sword,” under future Shinsengumi Commander Kondo Isami, signed a petition to Matsudaira Katamori, daimyo of Aizu and the Bakufu’s protector of Kyoto, for permission to guard the shogun in Kyoto. They were joined by five men led by another highly skilled swordsman named Serizawa Kamo, and three others, for a total of seventeen. Fourteen of them, comprising the respective groups of Kondo and Serizawa, were the founding members of the Shinsengumi.

Hanpeita and Ryōma

Recently I’ve been discussing Takéchi Hanpeita, while Sakamoto Ryōma has often been a subject of this blog. The two were distant relatives. Ryōma was among the first to seal his name in blood to the manifesto of the revolutionary Tosa Loyalist Party, established and led by Hanpeita. Following is an excerpt from Samurai Assassins:

Though Mito Loyalists triggered the revolution with the assassination of Ii Naosuké, as samurai of one of the Three Tokugawa Branch Houses they would never oppose the Bakufu. After the Incident Outside Sakurada-mon, the revolution was led by samurai who felt no allegiance to the Tokugawa. Most of them hailed from han in the west and southwest, ruled by outside lords, most notably Satsuma, Chōshū, and Tosa. Around this time in Tosa emerged two men who would inform the revolution—both charismatic swordsmen originally from the lower rungs of Tosa society. Takéchi Hanpeita, aka Zuizan, was a planner of assassinations and stoic adherent of Imperial Loyalism and bushidō, whose struggle to bring Tosa into the Imperial fold led to his downfall and death. Sakamoto Ryōma, one of the most farsighted thinkers of his time, had the guts to throw off the old and embrace the new as few men ever have—and for his courage, both moral and physical, he was assassinated on the eve of a revolution of his own design. But while Ryōma abandoned Tosa to bring the revolution to the national stage, Takéchi, remaining loyal to his daimyo, was determined to position Tosa as one of the three leaders of the revolution.

[Takéchi Hanpeita is the focus of Part II of Samurai Assassins, while Part III focuses on Ryōma’s assassination.]


 

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Self-portrait From Jail of Takéchi Hanpeita, Samurai Through and Through (2)

Below is a transcription of the poem on his self-portrait, followed by my English translation:

花依清香愛

人以仁義栄

幽囚何可恥

只有赤心明

A flower is cherished for its pure fragrance./A man glories in humanity and justice./Imprisonment brings no shame,/As long as one’s heart is sincere.

[Takéchi Hanpeita’s self-portrait appears in Samurai Assassins, courtesy of Kochi Prefectural Museum of History.]

Takéchi Hanpeita is the focus of Part II of Samurai Assassins. Also see this recent post. 


 

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On The 150th Anniversary of the Meiji Restoration (21) – The Final Installment

Wanted: International film professionals and investors with vision to produce a film about “Renaissance Samurai” Sakamoto Ryoma for worldwide audience

Meiji Restoration hero Sakamoto Ryoma is a national icon in Japan. When I “discovered” Ryoma over thirty years ago, I was so enthralled (I repeat “enthralled”) by his personality and history that I thought that people all over the world should know about him. Which was why I wrote Ryoma: Life of a Renaissance Samurai, the only English-language novel about this fascinating man.

While researching and writing the book, I often felt that Ryoma’s story would make for a great Hollywood film. And during the twenty years since the book was published, many people have expressed similar thoughts. I am not in the film industry; but I have been advised by industry experts that this could not happen without the support of a major Hollywood producer or director – and of course sponsors.

In this final installment of my series on the 150th Anniversary of the Meiji Restoration, I reach out to all “Ryoma fans” for their ideas to make this dream a reality.

Think big! Create! Persevere!


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Self-portrait From Jail of Takéchi Hanpeita, Samurai Through and Through

Takéchi Hanpeita is the focus of Part II of Samurai Assassins. Following is a slightly edited excerpt, without footnotes:

During the summer of 1864, Takéchi painted self-portraits, the bearded face haggard, cheeks hollow, body emaciated after nearly ten months in his squalid jail cell. In one portrait he is seated cross-legged, his chest exposed beneath an open kimono, a fan in his right hand, his left hand placed on his knee. Another depicts a similar pose, with an open book in hand instead of the fan. Pronounced in both is a stoic composure in face of impending doom, founded on an inner-strength developed through years of martial training and study, and manifested through his eyes. Above the image in the first painting he included a poem, beginning with the metaphor of a fragrant flower and rejecting any notion of shame in his imprisonment as long as he lived up to his bushidō-based values. In a letter to his wife and sister probably composed around the same time, he wrote with humor that when drawing his self-portrait he was struck by his own “excessive good looks”—then he suddenly turned serious: “when I look in the mirror [I see that] I am thinner and that my moustache has grown out and my cheeks are hollow.” But, he assured them, they need not worry because “my mind is strong.”

[Takéchi Hanpeita’s self-portrait appears in Samurai Assassins, courtesy of Kochi Prefectural Museum of History.]

For more on Takéchi Hanpeita:

Samurai Assassins Part II: Takéchi Hanpeita

Takechi Hanpeita: Samurai


 

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