Katsu Kaishu Museum Scheduled to Open This Summer

The Katsu Kaishu Museum is under construction at Senzokuike pond in Tokyo’s Ota-ku, near the gravesite of Katsu Kaishu and his wife Tami. Kaishu, a founder of the Japanese Navy, is of particular importance for his role in the bloodless surrender of Edo Castle in the aftermath of the fall of the Tokugawa Bakufu in spring 1868. The Bakufu’s fall sparked a contained civil war that would have spread throughout the country, endangering Japan’s sovereignty, had Kaishu, as commander in chief of the fallen shogun’s still formidable military, not negotiated an eleventh-hour peace with Saigo Takamori, commander of the Imperial Army.

As the first memorial museum dedicated to Katsu Kaishu, the Ota-ku facility will celebrate “the relationship between Katsu Kaishu and Ota,” the Ota-ku website states. The museum will house some 4,000 documents and other historical items collected from Kaishu’s descendants, according to the national daily Asahi Shinbun.

[This photo at Katsu Kaishu’s grave was taken in November 2015.]

Katsu Kaishu is the “shogun’s last samurai” of my book Samurai Revolution.


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The Quintessence of Samurai Morality

Like many Americans of conscience I am distressed over the current politics and society of our country. And so here are some words of wisdom from Saigō Takamori for these difficult times (slightly edited from Samurai Revolution, without footnotes):

Saigō Takamori, the quintessence of samurai morality, taught that “a great man,” unlike the average man, “never turns away from difficulty or pursues [his own] benefit.” He “takes the blame for mistakes upon himself and gives credit [for meritorious deeds] to others.” He “was physiologically unable to bear” even being suspected of any sort of underhandedness. He had a deep-seated repugnance of “love of self,” which, in his own words, he described as “the primary immorality. It precludes one’s ability to train oneself, perform one’s tasks, correct one’s mistakes,” and “it engenders arrogance and pride.” The ideal samurai “cares naught about his [own] life, nor reputation, nor official rank, nor money,” Saigō taught, even if such a man “is hard to control.”

[The image of Saigo is used in Samurai Revolution, courtesy of Japan’s National Diet Library.]


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“Ryoma: Life of a Renaissance Samurai”: The 20th Anniversary (9)

There is no way to understand modern Japan without knowledge of Bakumatsu-Meiji Restoration history, and the men who made that history. Which is why I’ve spent the past 30 years or so writing about this subject.

When I decided to write Ryoma, my first book, in late 1986, I had no idea that I would continue with this endeavor for so long.

Among the first nonfiction Bakumatsu history books that I read and studied are these two classics of the life and times of Sakamoto Ryoma, both by Tosa historian Hirao Michio: Sakamoto Ryoma: Kaientai Shimatsuki (坂本龍馬  海援隊始末記) AND Ryoma no Subete (坂本龍馬のすべて).

The copy of Shimatsuki shown here is the original copy that I have read and re-read many times. The copy of Subete I bought at a bookstore in Kochi in 1999. (I had lost my first copy during my move from Tokyo to San Francisco some years before that.)


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“Ryoma: Life of a Renaissance Samurai”: The 20th Anniversary (8)

He Called Me an “American Ryoma”

Without this book, Sakamoto Ryoma Zenshu (坂本龍馬全集) (Kōfūsha Shuppan, 1978), by Miyaji Saichiro, my friend and mentor, I could not have written Ryoma. A collection of letters to and from Sakamoto Ryoma, and other important documents related to Ryoma and his history, compiled and meticulously annotated by Miyaji-sensei, Zenshu is a monumental and unsurpassed work of scholarship of Sakamoto Ryoma’s life and times.

I first met Miyaji-sensei around November 1988, while working as a writer for Flash, a popular weekly magazine in Tokyo. The magazine was doing a special feature on Ryoma to commemorate his upcoming birthday. Since I was working on my novel, the editor, Shindo Toshiya, who is still my good friend, asked me to accompany him to Miyaji-sensei’s home in Mitaka, Tokyo, to interview him. I vividly remember Miyaji-sensei greeting us at the front door, dressed in traditional kimono, then bringing us to the living room for the interview. He must have been more than a bit surprised to meet an American who was writing about Sakamoto Ryoma. I remember him saying something to the effect that he thought of me as an “American Ryoma.”

Also see this past post.

[The above photo of Miyaji Saichiro was taken in Tokyo in December 1999.]


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“Ryoma: Life of a Renaissance Samurai”: The 20th Anniversary (7)

I’ve written in other posts about my inspiration in writing about Bakumatsu history – which I call “the samurai revolution at the dawn of modern Japan.” Ryoma was my first book on the subject. I was inspired to write it by certain authors, but mostly by Ryoma’s personality, as is summed up nicely, I think, in this famous poem by Sakamoto Ryoma:

世の人はわれをなにともゆはゞいへわがなすことはわれのみぞしる

It matters not what people say of me, I am the only one who knows what I must do. [my translation]

Also see this related post.

[This tablet inscribed with the poem is from the Ryozen Museum in Higashiyama, Kyoto, near Ryoma’s gravesite.]


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