“Ryoma: Life of a Renaissance Samurai”: The 20th Anniversary (2)

This year is the 20th anniversary of the publication of my book Ryoma: Life of a Renaissance Samurai. So how did I get the idea of writing it? Years ago while I was reading Yoshikawa Eiji’s biographical novel “Musashi,” a friend of mine saw it. “Musashi’s interesting,” he said. “But this is even better.” He handed me the first paperback volume of an 8-volume biographical novel entitled Ryoma ga Yuku, Shiba Ryotaro’s masterpiece about Sakamoto Ryoma. I took the book, thanked my friend, went home, put it in the bookshelf and there it sat for a couple of years. When I finally picked it up again and started reading it, I couldn’t put it down. Not only had I discovered my (new ) “favorite writer,” but I became acquainted with a samurai of the mid-19th century who changed my life.

At first I thought about translating it into English so that people all over the world could learn about Ryoma and his fascinating story. But translation is a tedious job and I’d done my share of it by then. And besides, since Shiba’s book was written for a Japanese audience, I knew that a straight English translation would never work. When a Japanese writer writes for a Japanese audience he doesn’t have to explain certain cultural, historical and linguistic nuances that are common knowledge or otherwise readily understood. But if Shiba’s book were to be translated into English, the translator would either have to use lots of annotation or take poetic license with the text, neither of which appealed to me. And so I decided to write my own book, and began the six-year process of researching and writing Ryoma, the only biographical novel about the great man in English.


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Next Shinsengumi Book (16)—Kondo Isami Biography

Today I finally completed the long and complex chapter about the Shinsengumi’s attack on the Ikedaya inn in Kyoto on Genji 1/6/5 (July 8, 1864). It was a turning point in the revolution. Over a year before that, on the 10thday of the Third Month of Bunkyu (April 27, 1863), sixteen men, nine of whom studied the Tennen Rishin style of kenjutsu, “art of the sword,” under future Shinsengumi Commander Kondo Isami, signed a petition to Matsudaira Katamori, daimyo of Aizu and the Bakufu’s protector of Kyoto, for permission to guard the shogun in Kyoto. They were joined by five men led by another highly skilled swordsman named Serizawa Kamo, and three others, for a total of seventeen. Fourteen of them, comprising the respective groups of Kondo and Serizawa, were the founding members of the Shinsengumi.

Hanpeita and Ryōma

Recently I’ve been discussing Takéchi Hanpeita, while Sakamoto Ryōma has often been a subject of this blog. The two were distant relatives. Ryōma was among the first to seal his name in blood to the manifesto of the revolutionary Tosa Loyalist Party, established and led by Hanpeita. Following is an excerpt from Samurai Assassins:

Though Mito Loyalists triggered the revolution with the assassination of Ii Naosuké, as samurai of one of the Three Tokugawa Branch Houses they would never oppose the Bakufu. After the Incident Outside Sakurada-mon, the revolution was led by samurai who felt no allegiance to the Tokugawa. Most of them hailed from han in the west and southwest, ruled by outside lords, most notably Satsuma, Chōshū, and Tosa. Around this time in Tosa emerged two men who would inform the revolution—both charismatic swordsmen originally from the lower rungs of Tosa society. Takéchi Hanpeita, aka Zuizan, was a planner of assassinations and stoic adherent of Imperial Loyalism and bushidō, whose struggle to bring Tosa into the Imperial fold led to his downfall and death. Sakamoto Ryōma, one of the most farsighted thinkers of his time, had the guts to throw off the old and embrace the new as few men ever have—and for his courage, both moral and physical, he was assassinated on the eve of a revolution of his own design. But while Ryōma abandoned Tosa to bring the revolution to the national stage, Takéchi, remaining loyal to his daimyo, was determined to position Tosa as one of the three leaders of the revolution.

[Takéchi Hanpeita is the focus of Part II of Samurai Assassins, while Part III focuses on Ryōma’s assassination.]


 

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Self-portrait From Jail of Takéchi Hanpeita, Samurai Through and Through (2)

Below is a transcription of the poem on his self-portrait, followed by my English translation:

花依清香愛

人以仁義栄

幽囚何可恥

只有赤心明

A flower is cherished for its pure fragrance./A man glories in humanity and justice./Imprisonment brings no shame,/As long as one’s heart is sincere.

[Takéchi Hanpeita’s self-portrait appears in Samurai Assassins, courtesy of Kochi Prefectural Museum of History.]

Takéchi Hanpeita is the focus of Part II of Samurai Assassins. Also see this recent post. 


 

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On The 150th Anniversary of the Meiji Restoration (21) – The Final Installment

Wanted: International film professionals and investors with vision to produce a film about “Renaissance Samurai” Sakamoto Ryoma for worldwide audience

Meiji Restoration hero Sakamoto Ryoma is a national icon in Japan. When I “discovered” Ryoma over thirty years ago, I was so enthralled (I repeat “enthralled”) by his personality and history that I thought that people all over the world should know about him. Which was why I wrote Ryoma: Life of a Renaissance Samurai, the only English-language novel about this fascinating man.

While researching and writing the book, I often felt that Ryoma’s story would make for a great Hollywood film. And during the twenty years since the book was published, many people have expressed similar thoughts. I am not in the film industry; but I have been advised by industry experts that this could not happen without the support of a major Hollywood producer or director – and of course sponsors.

In this final installment of my series on the 150th Anniversary of the Meiji Restoration, I reach out to all “Ryoma fans” for their ideas to make this dream a reality.

Think big! Create! Persevere!


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